Wind Walker tb-9

  Wind Walker

  ( Titus Bass - 9 )

  Terry C. Johnston

  The wild and free world of the mountain man is quickly fading into the past. For Titus Bass, leading his family north to winter with the Crow people, the journey is a sad one. He must save an old friend from death and rescue his daughter Magpie from cutthroat traders. He will try to free a wagon train of innocents from its unscrupulous leader, and he will try to come to terms with his long-lost daughter Amanda, bound for a new home in a faraway land Bass himself will never see.

  But when he arrives in the land of the Crow, he finds old friends–and old ways–dying out. Determined to live out his final years in peace, Bass comes to realize that on the changing frontier, survival is never a certain thing. Soon he will face his greatest lesson and hardest challenge of all–one that might cost the last of the legendary mountain men his life.

  From Publishers Weekly

  In this 30th book (after Lay the Mountains Low), award-winning western novelist Johnston puts the final arrow into his remarkable mountain man hero, the resilient and ever-resourceful Titus Bass. Johnston's beautifully crafted Titus Bass series chronicles more than 30 years of trapping, hunting and Indian fighting in the great Rocky Mountains and on the plains of the early American West. This last installment covers six years (1847- 1853) and sees the scarred, aging, one-eyed mountain man struggling to find peace and sanctuary in a changing world. The fur trade is finished, free mountain men are few and white immigrants are flooding the pristine and untamed wilderness. Bass knows his independent way of life is over, so he takes his Indian family north, hoping to settle with his wife's Crow relatives. Bass's final journey, however, will not be easy. Accompanied by Bass's old saddle pal, Shadrach Sweete, the clan must rescue Bass's Indian daughter from rape-minded Frenchmen, defeat a cowardly gang of wagon-train cutthroats, fight a losing battle against Brigham Young's Mormons and battle blizzards, snakebite and wolf attacks. Titus Bass is a believable, enduring character, a solitary man who lives by his wits, believes in mountain justice and is willing to use rifle or tomahawk to settle a score when he knows right is on his side. This bloody tale of a man who values his family's safety above all else is one of the most evocative and powerful books in the series. Bass fans will be energized by the novel, but sad to see the last of the old mountain man.

  Praise for the Novels of

  TERRY C. JOHNSTON

  WIND WALKER

  “One of the most evocative and powerful books in the series.” —Publishers Weekly

  “What makes these novels so rich and fascinating is the genuine flavor of the period and the men who made it what it was.” —Tulsa World

  RIDE THE MOON DOWN

  “Bass is a near-mythic Davy Crockett-like character, but author Johnston imbues him with Everyman emotions. … Readers of past Bass adventures will not be disappointed.”

  —Booklist

  DANCE ON THE MOON

  “A good book … not only gives readers a wonderful story, but also provides vivid slices of history that surround the colorful characters.”

  —Dee Brown, author of Bury My Heart at Wounded Knee

  “Packed with people, action, and emotion … makes you wish it would never end.”

  —Clive Cussler

  BUFFALO PALACE

  “Rich in historical lore and dramatic description, this is a first-rate addition to a solid series, a rousing tale of one man’s search for independence in the unspoiled beauty of the old West.”

  —Publishers Weekly

  “Terry C. Johnston has redefined the concept of the western hero. … The author’s attention to detail and authenticity, coupled with his ability to spin a darned good yarn, makes it easy to see why Johnston is today’s bestselling frontier novelist. He’s one of a handful that truly know the territory.”

  —Chicago Tribune

  CRACK IN THE SKY

  “No one does it better than Terry Johnston. He has emerged as one of the great frontier historical novelists of our generation.”

  —Tulsa World

  “Mastery of the mountain man culture in all its ramifications, a sure grasp of the historical context, and the imagination of a first-rate novelist combine to make Crack in the Sky a compelling, fast-paced story firmly anchored in sound history.”

  —Robert M. Utley, former chief historian for the National Park Service and author of A Life Wild and Perilous: Mountain Men and the Paths to the Pacific

  CARRY THE WIND, BORDERLORDS, and ONE-EYED DREAM

  “Johnston’s books are action-packed … a remarkably fine blend of arduous historical research and proficient use of language … lively, lusty, fascinating.”

  —Colorado Springs Gazette Telegraph

  “Rich and fascinating … There is a genuine flavor of the period and of the men who made it what it was.”

  —The Washington Post Book World

  BOOKS BY TERRY C. JOHNSTON

  Cry of the Hawk

  Winter Rain

  Dream Catcher

  Carry the Wind

  Borderlords

  One-Eyed Dream

  Dance on the Wind

  Buffalo Palace

  Crack in the Sky

  Ride the Moon Down

  Death Rattle

  SONS OF THE PLAINS NOVELS

  Long Winter Gone

  Seize the Sky

  Whisper of the Wolf

  THE PLAINSMEN NOVELS

  Sioux Dawn

  Red Cloud’s Revenge

  The Stalkers

  Black Sun

  Devil’s Backbone

  Shadow Riders

  Dying Thunder

  Blood Song

  Reap the Whirlwind

  Trumpet on the Land

  A Cold Day in Hell

  Wolf Mountain Moon

  Ashes of Heaven

  Cries from the Earth

  Lay the Mountains Low

  For all that his steadfast friendship has meant to me and my writing career across many, many seasons—from the Rocky Mountain front to the grand Pacific Coast—it is with honor that I dedicate this final novel in the saga of Titus Bass to my old and dear friend of Colorado’s Front Range, the one who has been braiding the rope others will one day strive to climb,

  Kent Havermann

  a man who would do to ride the river with, a friend who would stand at my back against Blackfoot …

  A man Titus Bass himself is proud to call his friend!

  The old man sang his death song then;

  His voice rang clear and high;

  “O Sun, thou endureth forever,

  But we who are warriors must die!”

  —STANLEY VESTAL

  Fandango, Ballads of the Old West

  ONE

  “Strangers?”

  Without looking at his young son, Titus Bass nodded and eventually whispered, “Yes, Flea. In this country, you must consider everyone a stranger.”

  His own words stabbed into the frozen air, hung frostily for but a heartbeat, then were ripped away by a sharp, sudden gust that stirred up skiffs of the dry, two-day-old snow around them, where they lay on a ledge of bare rock.

  “Get me the far-seeing glass,” the fifty-three-year-old trapper said, never tearing his eyes off the distant objects plodding like black-backed sow beetles across the everywhere-white ablaze beneath the brilliant winter sun in a far-reaching sky.

  Without making a sound in reply, the boy of ten winters scooted backward into the stunted cedar, where he rose in a crouch and quietly padded away, the soft crunch of his thick winter moccasins fading in the utter, aching silence that made itself known each time the winter wind died here on the brow of the low ridge. It wasn’t long before Titus heard his son returning. Flea
went to his knees, then plopped onto his belly to cover those last few yards, crawling right up beside his father, their elbows brushing.

  “You are a good son,” he whispered to his oldest boy in the child’s strongest language, Crow—the tongue of Flea’s mother.

  Brushing some of his long, gray hair out of his face, Titus again vowed that he should teach his children more, much more, of his own American tongue in the months and years to come. Down in the marrow of him he was growing more certain with time that they would need that American tongue before they became adults. His children would grow into maturity and give birth to children of their own in a world that Bass knew nothing of. A world very much unlike the world he had grown up in at the edge of the frontier, back there in Kentucky—essentially the same world his own father had grown up in, and to a great extent the very same life his grandfather had known before them. Right in the same place, on the same land both father and grandfather had tilled, sweated into, and prayed over. But … Magpie, Flea, and little Jackrabbit would soon enough confront a world their father knew nothing of.

  He smiled as Flea held out the long, brass spyglass to him. “You are a good lad,” he said, this time in American, slowly too, pulling out the three sections to the spyglass’s full length.

  “Lad.” Flea tried the word out, then paused slightly as he strung more words together, “I—am—a—good—lad.”

  “You’re about the best lad ever could be,” Titus confirmed, again in American, then patted his son on the shoulder.

  Poking his trigger finger through the small slot cut in his thick buffalo-hair mittens so he could fire his rifle with those mittens on, Bass swiveled the tiny brass protective plate away from the eyepiece and brought the spyglass to his one good eye. Blinked several times. Then peered through the long instrument as he slowly scanned the far ground below them until the image of the riders flashed across his view. Back he brought the spyglass, then slowly, slowly twisted the last of the three sections to bring the figures into better focus.

  “Here, Flea—have a look for your own self,” he said as he handed the boy the spyglass. When his son had it against one eye, Bass spoke in Crow. “Turn it slow, like this, to see the riders come up close in your eye.”

  The man rubbed the long, pale scar that angled downward from the outside corner of his left eye while he waited for the boy to scan the ground ahead with that strange, foreign instrument. He had worn that scar for some fifteen winters now, cut there in a last, desperate fight he had with an old friend whose right hand had been replaced with a crude iron hook.

  As the youth panned across the landscape, Flea jerked to a halt and held the spyglass steady, breathless too.

  Titus asked, “How many you count?”

  Flea’s lips moved slightly as he continued to concentrate his attention on the distant objects. “Two-times-ten, perhaps a little more.”

  “No, in American.”

  The boy took the spyglass from his eye and concentrated now on this new problem. Then he said in his father’s tongue, “Ten.”

  “No,” Titus prodded in a whisper, speaking his own native language. “That’s the wrong American word. Two-times-ten. So in American, you say twenty.”

  “Why is this number more important than those riders down there?” Flea asked with a youth’s irritation.

  Bass sighed and said, “You are right. We must think on the riders. All those horsemen—do you think they are enemies?”

  With a nod, the boy answered in Crow, “Just as you said, in this country there are many strangers … and strangers could be enemies.”

  For a moment he glanced at Wah-to-Yah, the Spanish Peaks, rising against the blue winter sky off to the west. Then he asked the boy, “Tell me what you think about those riders. Do you see the horses that don’t carry any riders? The animals loaded down with packs? What of this bunch coming our way—should we hurry back to your mother and the rest of our family? Should we get them into hiding fast?”

  For a long moment Flea regarded his father as if it might just be a trick question. Then he whispered, “They don’t ride like Indians.”

  “Why do you say they don’t ride like Indians, son?”

  “Because, Popo,” Flea said, using that affectionate name for his father, “the Indians I know—they ride in single file.”

  “So these horsemen, what are they?”

  “White men?”

  “Say it in American for me.”

  “White men,” Flea said assuredly. He knew those words. His father was one. Half his blood and bone and muscle was white.

  “You see the dog?” he asked his son.

  “Dog?”

  “Look carefully—and you’ll spot him.”

  After some moments, Flea finally declared, “That dog is white—I did not see him for a long time because of the snow.”

  “Big dog, ain’t it?” he asked in American.

  “Yes.”

  “Injuns have dogs near big as that critter?”

  The boy shook his head.

  “That’s right, son,” Titus whispered. “Dog like that lopin’ along them horses—it’s a sign them are likely white men comin’ our way.”

  Over the last few agonizing weeks Titus Bass had grown all the more certain that he would see that every one of his children knew everything he could teach them about the white man. Not just his language, but his ways. The good and the bad of the pale-skinned ones who were trickling out of the East. Titus would have to teach them everything he inherently knew about his own kind so that his half-blood children would not get eaten alive when the mountains grew crowded with strangers.

  They knew of enemies. Iskoochiia. The Crow had always suffered the mighty enemies who surrounded their Absaroka homeland. But those forces still to come would be even mightier than the Sioux or Cheyenne, stronger still than the powerful Blackfoot too. Titus Bass had seen a glimpse of what was on its way to these mountains. That one meant more were sure to come—wagons—every last one of them filled with corncrackers, sodbusters, settlers … farmers with their women and their young’uns along, bringing their plows to dig up the ground and their Bibles to pacify the wildness out of this land. Almost seven years ago he had watched that first wagon with its dingy-gray canvas top wheel into their final rendezvous on the Green River, the fabled Seedskeedee Agie, or Prairie Hen, River. It hadn’t been a trader’s wagon. No, that wheeled contraption did not turn back for St. Louis when the annual trading fair was over. Instead, the sodbuster took his wagon and family on west … making for Oregon country.*

  A few more of their kind had already come at earlier rendezvous—but only a string of preachers and their wives, missionaries come to the wilderness to take the wildness out of this primal place and its Indians. Come to bring the word of the Lord to the red man—to civilize these warriors and their squaws, turn them into God-fearing, land-tilling white folk just like everyone back east.

  Damn them, anyway! To make over this land into their own image instead of leaving it just the way it had been when Titus Bass himself arrived back in eighteen and twenty-five. This coming spring would make it twenty-two years since he’d come to the mountains. He could count each and every season—every summer and every winter—marked inside his soul the way a fella could peer down and count each year of a tree’s life.

  “And those horses under their heavy packs—like a white man. Indians pull travois. These are white men, Popo,” Flea whispered now, in Crow, taking the spyglass from his eye again. “Just like you.”

  “No,” his father corrected patiently. “Don’t you ever believe that just because a man has pale skin like me, that he is just like me, son. That thinking is downright dangerous. Most white men aren’t at all like me.”

  “Not the … the,” and Flea sought for the word. “Greasers? They’re not like you?”

  With a wag of his head, Titus explained. “No. Them greasers come to kill all the white folks from America what come down to Mexico. Kill any women married to them fell
as. Greasers come to butcher their children—just because them young’uns was like you and had some white blood in ’em.”

  “That why we ran away, Popo?”

  Laying his hand on his boy’s shoulder, Titus vowed, “I’ll run anywhere I have to, Flea—to save my family.”

  “We run away from these strangers?”

  “Not just yet,” Bass answered, considering the steel-gray, overcast sky. “We’ll have us a close look come sundown when they make camp.”

  As they slid backward on their bellies through the snow-dusted cedar and juniper, Titus did his best to pray that those horsemen weren’t renegade Mexicans or the Pueblo Indians who had thrown in together and let the wolf out to howl in Taos. They had prowled the streets for any American, even anyone who consorted with Americans, then hacked them apart with their machetes and farm implements. Titus Bass got his family out of the village and into the hills with no more than moments to spare. By the time they were approaching Turley’s mill just north of town, the murderous mob was launching its attack on the mill’s inhabitants. Titus struck out for the foothills with his family, and that of his long-ago partner, Josiah Paddock.*

  But right from the beginning it was clear they couldn’t hold out forever with their loved ones, hiding in the foothills, waiting for any roving bands of Mexicans or Pueblos to discover them as they went about hunting for something to eat, collecting wood to fight off the numbing cold one snowstorm after another. So Bass volunteered to push north alone, across the pass, pointing his nose for a trading settlement founded by former trappers, a place called the Pueblo. After losing his horse and subsequent days of foundering on foot, nearly starving and close to freezing, Titus had stumbled into a cluster of canvas tents—a camp of westbound sojourners who called themselves the chosen Saints of God, a party of religious pioneers wintering near the trading post until the spring thaw would allow them to continue west, on to their promised land reputed to lie somewhere beyond the high mountains.